The +HighRPM  crew filming on Season 1 of Autos & Angels
Filming has started in earnest for HighRPM's latest series "Autos & Angels" and I have managed to line up quite a list of impressive local cars and girls for the show.

This weekend we were kindly given permission  to use an underground car park in the heart of the city for as long as we needed to film the shoot with Darwin girl Christie Petersen, our first ANGEL of season one.

In striking similarity to her "Angel" title, 28 year old Christie is a logistics co-ordinator for Careflight and co-ordinates all the aeromedical evacuations in the Northern Territory, she told us her dream job was actually in the same industry but she would like to be aircrew jumping out of helicopter to save lives.  This is not the first time Christie has had the title of Angel bestowed upon her,  co-incidentally she was one of "Amber's Angels" training with world champion fitness trainer and lifestyle coach Amber Walker and having been in front of my lens before as part of that team.

Christie was matched up with our first AUTO of the series, a supercharged six, the classic lines of the VG Valiant Ute owned by Rob Anderson, we filmed the driver sequences for the car a few weeks back and Rob was only too happy to bring in the ute for us and patiently help with the shoot for a few hours while we worked with our guest stylist Angie Barker from Faces Artistry.

You'd probably think that the underground garage would be a cool environment this time of year (It's monsoon buildup time of year in Darwin) but we spent much of the down time gathered around the fan that  was being used to feather our model's hair!

Trying conditions to be sure but the crew got it done and we definitely got some great images and footage for the series.

Behind the Scenes Snaps - On Location with Christie Petersen



Shiny! Capturing the detail.  Image thanks to +Salvatore Finocchiaro 
Saturday 20th September saw our very first session of filming for Autos & Angels.

The day’s session was spent putting together the Auto driving sequences and driver interviews for Rob Anderson’s supercharged hemi powered VG Valiant Ute.

I also was fortunate to have Terry Finocchiaro from Sienna Productions came along to help out with the activities so we could work out a workflow template for future shoots in the series.  Terry will be concentrating mostly on the Angel shoots for each episode using the Arri Amira but he has worked with the team trackside many times for HighRPM so was keen to come down and try out some techniques rigging the on-car cameras.

There were definitely some constructive lessons learned and some new equipment already ordered to assist with better footage next session.  Although stripping back the weight of the DSLR on board camera to the bare minimum and using a very sturdy Camzilla triple-suction mount we found that the combination of non-stabilized DSLR video plus a single fixture point made for some rather shaky footage at times which we can hopefully iron out in post.   To mitigate this issue I have decided to go with the Spyder Pod vehicle camera mounting system from Digital Juice, it has a robust 3 point suction mounting system with 3 fixture point which will make for a rigid, no bounce platform to mount a reasonable weight of camera on (up to just over 22kg)

Next to organise will be the Angel shoot and we are currently going over a theme with our stylist Angie Barker and matching one of the numerous models who have put their hand up to be involved in the project.

Check back soon for more updates!

Wedding photography.  I don't do it.

This comes as a surprise to many people who enquire about my services after seeing my portfolio, (and the disappointment of my friends who have asked) indeed you would be forgiven for thinking I did as I do have bridal shots in my galleries.  The main reason I don't accept booking for weddings is my unpredictable production schedule for shows like HighRPM during the motor sports season, and various other filming gigs.

I have been asked so many times however that I felt I should make a list of Darwin photographers that I could recommend that people try instead.  This list is slowly being compiled over time from the recommendations of people who have had great experiences for their own or friends weddings.

If you know of a Darwin wedding photographer that should be on this list for outstanding service please let me know.


Recommended Wedding Photographers in Darwin
All the photographers are listed below due to the recommendations of real people who have had experience with their services.  Please contact them and take your time to decide who might be best for your particular occasion.


Allison Cole Photography
Website: http://allisoncolephotography.com.au
Allison Cole is an enthusiastic young Darwin photographer who has refined her craft from some of the best fashion and glamour photographers around town.  She is very reasonably priced.

George Fragopoulous
Website: http://www.georgef.com.au
George Fragopoulos is a photographer based out of Darwin, Australia.  George works in partnership with XSiGHT.
Customer Testimonial: "George Fragopoulos did ours and a few other friends. Words can not explain how they turned out or the comfort we felt during the whole process. He in short was Amazing"  - Andrew Doe

Mel Silva
Website: http://www.melsilva.com.au
Mel Silva is an accredited professional photographer with the Australian Institute of Professional Photography. Completed a Diploma of Photography in 2011. She originally studied the fundamentals of photography using film and proceeded to open her photography business in 2010.

David Hancock
Website: http://www.gallerytwosix.com
David Hancock is one of northern Australia's most experienced editorial and corporate photographers. He works regularly for Australian Geographic and Outback magazines as a photographer and writer.

Sandi Robaye
Website: http://sandirobaye.wix.com/speshal
Sandi Robaye from Speshal Moment's Photography is a military trained Photographer who now specialises in Wedding and Maternity photography. Sandy is an emerging member with the Australian Institute of Professional Photographers 2014.

Louisa Sams
Website: http://www.louisasams.com.au
Louisa Sams is a born and raised Darwin girl who has found a passion in photography and design with a strong backing of photojournalism experience through years of study at Griffith University completing a Bachelor in Communication; Majoring in Journalism and Public Relations.
A Royal Australian Air Force  F/A-18F Super Hornet flies in to Darwin
for exercise Pitch Black 2014
Exercise Pitch Black, the biennial war exercise in the skies of the Northern Territory hosted by the Royal Australian Air Force is now a routine part of the top end lifestyle.

For a few weeks every other year the RAAF and air forces from our friends and allies simulate war games to practice Offensive Counter Air and Defensive Counter Air combat to keep their pilot's skills honed and strategically current.  It's also a great chance for photographers, military buffs or aviation fans alike to get an eyeful (and earful) of some great military hardware.

I remember in my primary school years climbing on to the roof of my parent's house and watching in amazement as a USAF F-16 Falcon twisted and turned directly overhead. engaged in dogfighting maneuvers with the RAAF fighter of the day, the Mirage III.  Those days are long since gone, the Pitch Black format has changed considerably over the years, mostly due to public noise complaints.   The public opinion is as divided on the Pitch Black noise issue as they are on Territory Day Fireworks noise.  Interestingly enough though I managed to ask the director of pitch black media what the statistics were on noise complaints, the answer was surprisingly low.  In fact like a lot of things that are portrayed as being a big "public issue" it is a very vocal minority who actually cause a fuss and get the coverage solely on hype.  The majority of residents do not seem to mind the noise interruption for the few weeks window every two years.

Fortunately we still see the planes fly in and out of Darwin air base but their exercises are now done further afield on defence bombing ranges and over crown land.



Exercise Pitch Black Video



RAAF F/A-18F Super Hornet maneuvering display at Mindlil beach sunset markets. Darwin, Australia
I Want You To Know - Making the music video, frontman Sam Weaver
Another music video has been done and dusted for the year.  This time the track is “I Want You To Know” by Aussie lads Skarlett.

The track is featured on the album Highway Girls & Well Dressed Boys and it displays a new and diverse range of sounds from the talented lads.  The music video concept itself is very simple and clean cut, this type is always an absolute joy to shoot I have to say; nothing tricky to take into consideration here and lots of fun concentrating on camera work, but it showcases the song and the talent nicely.

A HUGE Thanks once again to the management of Ducks Nuts who let us use their Vodka Bar venue for a Sunday afternoon shoot. This is the second time I have been allowed to use this venue ... the first time being for Sam Korn's "She Brings The Rain"

As you will see the boys are super comfortable in front of the camera and as always were very easy to work with.  I also had the pleasure of having Sienna Production's  +Salvatore Finocchiaro (Terry) with me on set again heading up the B Camera and +Michael De Luca on BTS, both guys having worked with me on the popular Skarlett "Doesn't Matter Anyway" backyard clip we did in 2012

I Want You To Know Music Video

I Want You to Know
Music and Lyrics © 2014 +Sam Weaver , Jack Weaver, Arran Barker, Lachlan Barker.
Music Video © 2014 +Auki Henry

Highway Girls & Well Dressed Boys is available in iTunes
Check out the tracks: HERE



Dropping in the Northern Territory flag.
Skydivers open the event at Mindil beach in 2014
Territory Day, the day we celebrate self-governance here in Australia's Northern Territory.  This year is the 36th such celebration in this country's outback as we proudly proclaim ourselves to be, but who am I kidding?  Citizenship ceremonies and flag raising aside, ask any Territorian and you will find that FIREWORKS is really the dominant theme of the day, independence seems only a distant afterthought as thousands enjoy the thrill and freedom of buying and letting off their own with family and friends.

Such a great time of year to have a celebration outdoors too, with near perfect cool clear nights.  This year I've opted to enjoy one of the many public displays happening around the place, the one at Mindil beach near the SkyCity casino is the one you see here.  It's been a while since I tried capturing fireworks, what a great way to practice.

Click on any of the samples below to see the bigger picture.

As is the norm nowadays I tend to carry one of my video cameras with me just in case anything exciting happens. Easy enough to get a high vantage point with the tripod mounted on the back of the hilux tray at most locations so I set it going to record the show.

 20 minutes of fireworks is probably a little too long for anyone to watch on video unless it's a massive new years display at Sydney harbour, so I have only uploaded the last 60 seconds or so. Click play to watch the Territory Day Fireworks Video below:

Territory Day Fireworks

If you have an idea you want to try ... just do it, you'll achieve more!
Filming a music video on a budget with DSLR's.  Photo by Mark Hamilton
Over the years I've found a few things to be true about the world around me, it's not flat for example, good things generally don't last forever and human behaviour can roughly be divided into categories; those who do things and those who talk about doing things, broad generalisations to be sure but an important distinction in my opinion. The realisation of this distinction hit me quite a few years back now as I was starting out on my own adventure into the world of photography and video.

Unless you are lucky enough to know people who can impart their knowledge to you personally the internet is usually the one stop shop for learning any craft and, for the uninitiated, it is a minefield of information. It is filled with options and opinions so diverse that rather than help it will often times confuse the newbie seeking assistance and paralyse any constructive action to further their interests.

Auki Henry
"I'm not a technical photographer, I shoot by feel.  If I don't like a shot
I just test, adjust and try it again"
Having grown up in the era of forums and bulletin boards these were naturally the first stops on my own knowledge seeking journey. I am not an internet search novice by any standard but page after page of seeking helpful advice reached a dead end. Returned discussions that were quickly filled with what I call 'snapperhead' jargon ... and I don't use the term affectionately.


Innocent questions from newbies (such as I was) quickly deteriorated into inane flame wars about what lenses, numbers and measurements made one brand or one model superior to the others were debated to the nth degree.

In those early months I wasted many a lunch hour vainly browsing posts to help me decide which lenses and camera bodies to buy on my limited budget, only to encounter that unique breed of photography keyboard warrior willing to argue the physics of sensors to the number of photons and vapid discussions about lens chromatic aberration that was visible if you zoomed into 500% magnification (seriously don't laugh, these were some dedicated keyboard warriors!) No constructive help in sight here, but lots of  'Avoid this model at all costs' and 'You'd be stupid if you get that one' comments.

More of these same encounters were to be had when seeking helpful photography techniques, all which inevitably devolved into basically what amounted to a bunch of opinionated boasters arguing about what was wrong with everyone elses techniques. Don't get me started on what I saw in the 'critique my photo' sections of these places but the posters must have had a certain degree of masochism to run the gauntlet.

So how exactly does someone interested in taking nice photos or video actually learn when surrounded by all this? I have some sound advice for you if this is what you are looking for.

IGNORE THE CRAP
This is the first piece of advice I will give you as it was ultimately this that helped me see through the fog of confusion. The snapperheads, the keyboard warriors, the debaters, the opinionated critiques. A large percentage of these people will inevitably upload a photo of their own that they've done, and you know what my general experience was with these? Most of them were VERY ORDINARY photos. So much for their endless discussion and debate about the finer points of technique/equipment whatever. Lessons learned: photography and video are visual mediums, just because someone talks the talk .... the proof is in what they post up!

DOES IT LOOK GOOD TO YOU?
This one is for those who have been paralysed by indecision about which bit of equipment to upgrade to because you've been confused by the snapperheads arguing about how the number of aperture blades is the difference between 'good and shit bokeh'. Many times I have had people ask me for equipment advice, "I looked at Lens X and Lens y but then read something about Lens y having slightly sharper focus under these conditions ...." is a common example. For the beginner there's really no need to take too much stock in this. Find samples of photos taken with the equipment you are researching, the internet is your friend. If you like how the photo looks and it suits your budget then get it, regardless of the snapperhead downtalk.

USE WHAT YOU HAVE 
I must admit I have been in this boat myself too and had to take a step back to look at the trap I had fallen into to get out of it. Too many people are waiting for the next upgraded bit of equipment before they go shoot some pictures. "I'm waiting for this new flash" or "I'm waiting for this camera dolly" are examples of not just going out and getting shots. Borrow a flash, use the flash that you've got. Substitute a trolley or wheelbarrow for a dolly, whatever gets you out there. Shooting is practice and you will soon find that all these specialised tools are just refined optional extras, you can still get great results without them ... if you try.

JUST DO IT
One of the best bits of advice I can give you. I decided very early on in my photography/video adenture that I would rather fall into the category of "people who DO things" than the "people who TALK ABOUT doing things" besides trying to distance myself from all those negative photography forum snapperheads who bicker on ad-nauseum, this is about helping yourself achieve whatever creative vision you see in something.

Our second ever music video, better gear but still filming with DSLR's.
Use what you have and just have fun with it!
Whether it be something as simple as wanting to take a photo of a location at sunset or requesting security clearance to film a music video at an international airport it all really is just about taking the steps to DO it.

Set yourself an alarm and drive to that sunset location, type an email to the airport people stating what you want to do and asking permission. The only difference is the situation. 


Now, what would I like you to take away from all this?  I can shorten it to a very simple statement for easy digestion.  When you DO, you achieve something. No one ever achieved anything just by thinking about it.

So go, get out there and have some fun. Be creative, don't worry too much about what others think, after all 'subjective' is part of this game.  If you look at other peoples work and you like it try to understand what it is that you like about it and that will give you the best hints and tips to trying it out for yourself.